This video essay approaches the Lebanese Civil War as a field of fragmented and contested memories rather than a single historical narrative. It treats the war as a constellation of overlapping truths personal, communal, political, and silenced activated through archival fragments, abstraction, and layered sound. By staging memory as an echo rather than a linear account, the work asks whether the coexistence of multiple narratives can open a space for recognition and reconciliation.
Based on the text by Celine Ibrahim: War and Its Conflicting Narratives: Do We Need a Single Story?
