Film Screening by UMAM D&R
Film Screenings
طرابلس سكوب

عُروض سينمائيّة
April 25 - 27, 2022 @ Café Tal Al Oulya, Tripoli | Rumman, El Mina

In light of the tragedy that took place out at sea in El-Mina last night, we are cancelling the TripoliScope screenings. Our thoughts are with all those affected and their families.


As an homage to the city of Tripoli, UMAM D&R is hosting three nights of film screenings, featuring ten films by seven Tripolitan filmmakers. The screenings will take place at Tal Al Oulya on April 25 and 26, and at Rumman on April 27. The screenings follow the framework of TripoliScope, a developing essay exhibition on Tripoli’s cinema culture and practices.

The films span 65 years of filmmaking, blending George Nasser’s masterful “Ila Ayn,” with a selection of short, documentary, and feature films by a highly talented younger generation of Tripolitan filmmakers. 

The films are grouped into three sections: ILA AYN, CASTING TRIPOLI, and (NOT) ABOUT LOVE. The screenings address migration, questions of identity, social justice and belonging, aging and love, dreaming and remembering.


25 April 2022, 8.30pm @ Café Tal Al Oulya, Tripoli


Sunday Market (2018) by Yahya Mourad (16 min)

Ila Ayn (1957) by George Nasser (90 min)

I’m Bored. Aren’t you bored yet? (2018) by Firas al Hallak (20 min)

Space Woman (2021) by Hadi Moussally (19 min)


26 April 2022, 8.30pm @ Café Tal Al Oulya, Tripoli


Black Mouse (2021) by Ahmad Naboulsi (21 min)

Tripoli Quiet (2011) by Rania Attieh & Daniel Garcia (15 min)

Tayeb, Khallas, Yalla (2012) by Rania Attieh & Daniel Garcia (93 min)

27 April 2022, 8.30pm @ Rumman, El Mina


Ceci n’est pas une histoire d’amour (2022) Maya Sourati (23 min)

Short Scenes from a long marriage (2011) by Rania Attieh & Daniel Garcia (12 min)

Ya Sitti Ya Khetiara (2014) by Hadi Moussally (4 min)

Tayeb Khallas Yalla (2012) by Rania Attieh & Daniel Garcia (93 min)


Thanks to Omar Abdeni (Tal Al Oulya), Adham Yehia (Rumman), Arab Image Foundation (AIF), Institut Français du Liban Tripoli, and to the filmmakers, producers, production and distribution companies who generously supported these screenings.

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